Download PDF Modeling the Head in Clay, by Bruno Lucchesi, Margit Malmstrom
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Modeling the Head in Clay, by Bruno Lucchesi, Margit Malmstrom
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Creative techniques step-by-step. This book offers the reader an opportunity to watch one of our foremost contemporary sculptors at work, to see not just highlights of the creative process, but every step from beginning to end.
In order to recreate the immediacy of an actual workshop situation, Bruno Lucchesi takes a single life-size head through all the stages of roughing in, modeling, refining the surface, and finishing and texturing, so that the reader can see exactly how he positions and models every detail.
- Sales Rank: #166423 in Books
- Brand: Lucchesi, Bruno/ Malmstrom, Margit
- Published on: 1996-04-01
- Released on: 1996-04-01
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x .50" w x 8.25" l, 1.27 pounds
- Binding: Paperback
- 160 pages
Most helpful customer reviews
81 of 82 people found the following review helpful.
Best book on clay sculpting
By Randall Black
I bought this book (along with several others) while taking a class in sculpture. I found it to be the most informative and inspiring of any source, including my sculpture teacher. Using a series of close-up, detailed photographs, the book walks the student through the steps of creating a clay head. I followed them and made a good (for me) sculpture of a man's head and later a bust of a woman. I went on to make other clay faces, incorporated into mugs and pots. I don't pretend to be a great sculptor but, thanks to this book, I am able to make recognizable sculptures. The excellent directions include how to control surface texture using water and a brush; it is possible to make clay look like skin. If you are struggling to bring clay to life, this book doesn't just tell you how, it shows you how.
Randall Black
49 of 53 people found the following review helpful.
Wonderful photographic illustration of modeling
By Mary M. Earnest
This is a book that shows you, via numerous photographs, how a clay sculpture is actually made. The book starts with detailed photographs of different types of sculpture that whet your excitement. It then moves to defining the tools and supplies that are going to used in the rest of the book. The greatest part of the book is the detailed step by step photographic illustration of what happens during each part of building the sculpture. It is really exciting to see how the model is transformed between its various stages. I learned more from this one book than 2 adult- evening sculpture classes(that cost $300+)from the local Art college. This book is worth the investment!
16 of 17 people found the following review helpful.
Should be called "Modeling A Head in Clay."
By rubian77
I got this book based on its good reviews - and it's got a lot of fine points, don't get me wrong. Lucchesi is a fine artist and I admire his talent and technique. But what drives me to knock off a few stars is that he takes an inordinate amount of time on refining the nostrils but detailed directions on blocking out the nose/lips/chin and how to do the ears are completely missing. (To me, these are the hardest parts and the main reason I wanted this book!) The instructions go from "here's the basic round shape of the head" to "put a coil of clay for the nose, lips, and chin" with a hard to follow picture and no other instructions on how to do it. Just telling me to "make an S-curve for the ears" doesn't help me, because there's more to it than that.
This book is simply how Lucchesi does this *particular* head, not head sculpting in general. Nothing is mentioned about proportions and very little is discussed about placement. There is zero discussion of how to do other heads - children, men, other ethnicities besides caucasian, older people - and very little about what to do with it once you've finished.
Several other complaints (that may only matter to sticklers like me): 1, The photographer/writer captions photos in the third person ("Here, Mr. Lucchesi attaches the ear" etc.), and for an instructional book, I find this a bit off-putting. 2, The complete black-and-white-ness of the book gives it a dated look. 3, Except for one instance, actual body part names are never used - vague descriptors like "the hollow above the lip" or "the fold of skin on the ear" are in its place. Philtrum and tragus should be known to those who are studying facial/head sculpture, and if not, then learning them should be a part of the educational process.
If you're looking for a comprehensive, easy to understand guide on making heads/faces in clay, I don't know that this would be it. I've seen clips from Philippe Farault's DVDs ([...]) and I learned more from them than I did from this book.
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